Conversations at the Edge at the
Gene Siskel Film Center - Thursday, 6pm
For well over a decade, Martha Colburn has been making short anti-establishment
works that are political without being statements. Full of chaos and
a punk-rock aesthetic, her films critique modern life with cut-out puppets
and found-footage but avoid intellectual elitism. If her imagery didn't
come at you so fast, her films might be described as fun. Instead, they're
cathartic capsules of directed anger. This program packs 15 films into
75 minutes, offering a good overview of the development of Colburn's
practice. In the early LIFT OFF (1993) and EVIL OF DRACULA (1997) female
sexuality is at the forefront, as images from magazines are manipulated
into sexy astronauts and bloodsuckers. The animation is raw, and the
low-fi soundtracks are reminiscent of a monster truck show announcer.
Colburn also paints over the images, sometimes adding body parts, and
often giving us rotating spirals. More sophisticated jointed puppets
populate SPIDERS IN LOVE (2000) and CATS AMORE (2002) as arachnids with
human heads and erotic dancers with cat heads seduce their targets:
boy spiders and dogs. Lust and objectification are projected onto Colburn's
humanoid puppets and their animated audience, celebrating red-hot sexual
attraction. Her newer work is more overtly topical, covering plastic
surgery (COSMETIC EMERGENCY), the "cowboy" military in Iraq (DESTINY
MANIFESTO), and methamphetamine addiction (MYTH LABS). This later work
is less busy, displacing rapid-fire guitars with piano, strings, and
classical vocals on the soundtrack. There is an elegance in form at
times, despite the still crude manner of the puppets' movements. Also
screening: WHAT'S ON? (1997), MEET ME IN WICHITA (2006), DON'T KILL
THE WEATHERMAN (2007), ONE AND ONE IS LIFE (2009), ELECTRIC LITERATURE
(2009), JOIN THE FREEDOM FORCE (2009), TRIUMPH OF THE WILD (2009), and
DOLLS VS. DICTATORS (2011). Colburn in person. (1993-2011, approx.
75 min, various formats) JH - Cine-File.info
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