Chicago Filmmakers – Saturday, 8pm
When a public housing project in South
Central Los Angeles is shuttered due to gang violence, the law-abiding
residents find themselves displaced. Director Kelly Parker shows the
story of three such families and their struggles with the transition to
life in Section 8 housing in 2005. A fiancé who is killed in a
drive-by-shooting the night before the move and increased bills that
leave the family closer to poverty are the content of the stories told
here, but the style is what makes this film original. In a departure
from cinéma vérité, the camera remains mostly static—save for the
handheld shots taken by the family members—and the filmmaker is content
to let the matriarch of each family directly address the camera for
extended monologues. Although this strategy is not always successful,
sometimes drawing more attention to the presence of the camera than is
necessary, Parker ultimately benefits from her minimal production scale
and the familiarity with her subjects that it allows. Additionally, the
intentional stylistic choice of allowing the camera to be a presence
rather than an extension of the filmmaker works to keep the film from
becoming a sweeping statement about poverty, and privileges the
individual stories that it tells. (2008, 77 min, DVD) JH - Cine-File.info
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